New powers to prosecute war criminals living in UK

Four Rwandans suspected of genocide may face UK trials after loophole is closed
By Cahal Milmo, Chief Reporter
Wednesday, 8 July 2009

Vincent Bajinya, who is also known as Doctor Vincent Brown, Celestin Ugirashebuja and Emmanuel Nteziryayo were arrested in Britain 28 December 2006 after being accused of involvement in the 1994 Rwandan genocide.

Suspected mass murderers and war crimes suspects living in Britain, including four men accused of taking part in the Rwandan genocide, will face prosecution for the first time after the Government announced the closure of a loophole which had made the United Kingdom a haven from justice.

The Justice Secretary Jack Straw unveiled the biggest change in British laws covering crimes against humanity in 20 years, following an outcry over a High Court decision in April not to send four Rwandans resident in the UK back to their home country to face prosecution.

Under the proposals, the law which bars charges relating to any war crime, act of genocide or crime against humanity committed before 2001 will be changed to allow prosecutions for atrocities committed since 1 January 1991, including the Balkan wars and the 1994 conflict in Rwanda, in which 800,000 people were systematically exterminated.

Mr Straw said the change, which will be put before Parliament in the autumn, could lead to "tens" of alleged war criminals and "genocidaires" who have gained British passports or are resident in the UK facing trial in this country.

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Rwandan genocide on Lucid Magazine

Lucid's Top 5 for April 09: #1

In at number one...

April 6th marks the 15th anniversary of the genocide in Rwanda and, in an exclusive interview, Paul Knipe talks to Mr Hotel Rwanda, Paul Rusesabagina, the man whose story inspired the 2004 Oscar-nominated film starring Don Cheadle, Sophie Okonedo and Nick Nolte. Mr Rusesabagina now runs the Hotel Rwanda Rusesabagina Foundation and campaigns against injustice, particularly in the Great Lakes region of Africa, which includes Rwanda and the Congo. He says:

"Unfortunately it takes a movie for the world to wake up. It took 10 years for Hotel Rwanda to be made, for the international community to realise that there was genocide in Rwanda. It is taking just as long to realise that in the Congo – since 1996 I believe – more than 5 million people have been butchered, and yet we do not raise a single finger to say no to cruelty and crimes."

Read his inspirational story here.

Clive Rowe: Nothing Like A Dame

Clive Rowe is the consummate pantomime dame. Oh yes he is! Described by The Guardian as "one of the greatest ", the Lancashire-born thesp has become a Hackney institution. In the seven years he's been playing here, Rowe has cultivated a loyal local following who turn out in force each Christmas to see him camp up his dramatic chops. Last year it was in Duke Whittington; this year Rowe stars as the lead in the Empire’s production of Mother Goose. It’s the tenth anniversary celebration of panto at the Empire and is a comic caper of epic proportions. Written by Susie McKenna, who’s been responsible for a number of the Empire’s Christmas hits, the show incorporates high-jinks and high drama to charming effect with Rowe the shining star in a stellar cast. He explains: “Mother Goose is about what happens if somebody is given what they believe they want, what happens to them when they get it and how they deal with it. It is what it says on the tin, a family panto.”

Rowe is an accomplished actor whose dedication to panto has brought credibility to the genre. He’s appeared in some of theatre’s best loved productions, including Carousel and Guys and Dolls, for which he won a coveted Olivier Award. “To have your peers that are people that you respect, who are above you and have been doing it for longer than you look at you and say, “we think what you’ve done is amazing”, is an amazing accolade”, he says.

It’s not just the theatrical establishment who've taken Rowe to their hearts - Hackney has too. I suggest it must be his Northern charm. “Init!” he jokes in a sketchy east London accent. “One of the things I’ve always felt about theatre, but is even more true with the Hackney Empire, is the show starts the minute you walk through the front door, not the minute you sit down in the auditorium and the lights go on. The minute you’re received here you’re part of the panto and everybody is working towards a fantastic night”.

Rowe has appeared in television, film and on radio but says he feels comfortable on the Hackney stage. Panto for him is as much a craft as any other kind of acting. “There’s a difficult balance to get where you’re keeping everything panto level because you’re playing to the five year olds but real. The trick is finding that core of it where you may be upset about something but you’re not doing Greek tragedy, you’re not doing Chekov, it’s panto”.

And Rowe loves it. “My thing is I have a great time. I spend all year being told what I can’t do on stage and I get five weeks to do what I want to do. The fact is I’m having a good time.” And so are we.

Mother Goose is on at the Hackney Empire until 10 January 2009.

Catching Up With the King of Shoes, Jimmy Choo

Hackney can claim many famous fashion alumni but none are as synonymous with style as shoemaker to the stars Jimmy Choo. A-listers from the worlds of film, music and the arts all flock to Choo’s swanky Central London boutique to get their mitts on his unique handmade shoes for everything from glitzy parties to glittering premieres. But when Jimmy Choo arrived in London in the 1980’s he couldn’t have known how important a role the bustling creative Hackney would play in his life. The borough gave the Malaysian his start in the fashion world, which would see him go from a struggling student to a multimillionaire.

As an apprentice at the prestigious Cordwainers’ Fashion Technical College, Choo perfected his craft as a shoemaker, his family trade, while working part-time at restaurants and as a cleaner at a shoe factory to help fund his education. “During the eighties I was in London for a holiday and a friend of mine told me there’s a special shoe college in Hackney called Cordwainers’”, Choo recalls. “Although I had training from my father, it’s always good to have an education and I didn’t have a certificate. So I enrolled in the college to learn more and get more advanced.”

At the time, as is today, Hackney was a hub of offbeat creative talent. The artistic energy that buzzed through the borough’s streets inspired Jimmy to stay local and in 1986, after leaving Cordwainers’, he opened his first workshop, renting an old hospital building. “Hackney was a fantastic place, very peaceful and very relaxed in those days,” Choo says, nostalgically. “All types of designers and artists were in Hackney, and a lot of music stars as well. There was also a lot of factories and manufacturing, especially shoe manufacturing. It was a great place.”

Jimmy’s craftsmanship and designs were soon noticed by those in the know in the industry and it didn’t take long before Jimmy Choo shoes became the must-have brand for serious fashionistas. Patronage from celebrities and royalty, including Diana, Princess of Wales, led Jimmy to become an international fashion icon and in 1998 his success was crowned when he scored an incredible coup when his creations were featured in a record eight pages of Vogue magazine. In 2000 Jimmy was awarded the Malaysian equivalent of a Queen’s honour for his achievements and two years later he received an OBE from the Queen herself in recognition of his services to the shoe and fashion industry in the UK.

But even though he’s mingled with the world’s top names and continues to ply his stylish trade Jimmy’s love and respect for his Hackney roots remains as strong as ever. “Hackney is a multicultural place. You have the Chinese, people from Jamaica, Ireland, Holland, all sorts of people who love to be in Hackney. I get my inspiration from that because it’s very important that I love what I’m doing and I mix with people and get an idea of how they dress. It’s fantastic. Hackney is a special place.”